20 Essential Works of Existential Fiction
Trying to pin down some of the specific tenets of existentialism can be, ironically, bit of an existential exercise. Although the thinkers and writers who’ve contribued to the field can vary greatly in their teachings, they share the belief that existentialism is a school of philosphical thought devoted to the conditions of a person’s specific existence and how he or she creates that life, deals with its obstacles, and finds a meaning in being alive. Soren Kierkegaard is typically regarded as the father of the movement, though he didn’t earn that honorific until after he’d died. Basically, any work that deals with the fundamental questions of what it means to be a human, to exist in the world and interact with those in it, and to search for the meaning of it all can be classified as existentialist. Give the novels below a read and you’ll start to see the patterns emerge.
- Nausea, Jean-Paul Sartre: One of Sartre’s best-known works, Nausea unfolds as a series of letters written by a historian who feels paralyzed by nauseous dread by the world around him and stifled in his attempts to define his life and being. The book won the Nobel Prize for Literature in 1964, but Sartre declined to accept the award.
- Do Androids Dream of Electric Sheep?, Philip K. Dick: Mostly known as the inspiration for Ridley Scott’s sci-fi/noir classic Blade Runner, Philip Dick’s novel follows Rick Deckard, a bounty hunter charged with “retiring” runaway androids in a post-apocalyptic future not that much different from present day. Throughout the story, Deckard examines the emotional and existential differences between man and machine, ruminating on what it means to be real. Worth reading for the ways it differs from the popular adaptation.
- Fight Club, Chuck Palahniuk: Another grim text that inspired a modern classic film, Chuck Palahniuk’s Fight Club tracks an unnamed narrator as he copes with insomnia and eventually meets the mysterious Tyler Durden and starts a ring of underground fight clubs. The novel begins as a more predictable existential text, with its hero questioning the meaning of life, before diving into more challenging waters by blurring the lines between reality and self-deception. It’s an existential story with its very own existential crisis.
- The Stranger, Albert Camus: Camus was a leading light for existentialist writers, and he won a Nobel Prize in 1957 for an essay arguing against capital punishment. The Stranger, published in 1942, is a pivotal text in the field thanks to its story of a man emotionally cut off from human existence who commits an arbitrary murder. The book reflects a belief in the universe’s general indifference to its inhabitants, who are on their own to define themselves in an absurd world.
- Crime and Punishment, Fyodor Dostoevsky: Dostoevsky’s epic works grappled with what it meant to be human in the midst of personal and universal upheaval. Crime and Punishment revolves around young Raskolnikov, a poor student who decides to commit a murder to rid the world of a bad figure, do something good with his earnings, and test the hypothesis that some people develop a right to kill in certain instances. The novel is a moving and profoundly moral one that examines the true cost of doing evil.
- The Metamorphosis, Franz Kafka: Kafka isn’t exactly the happiest before-bed reading material, but his dour works make for riveting existential investigations into the purpose of humanity. This novella follows its protagonist as he wakes one morning to find himself turned into a giant bug (though Kafka never specifies what kind, or even if he’s a bug). The graphic, haunting tale explores everything from people’s inhumanity in situations of conflict to the tricky concepts of what it means to be a souled being.
- Notes From Underground, Fyodor Dostoevsky: Another work from Dostoevsky, and arguably his most famous existential tale, Notes From Underground is split between the bitter rantings of an isolated man and a broader perspective that explains his world. The Underground Man rails against determinism and says that history is determined by people doing things with no real purpose or meaning. He lusts for revenge against the world but also detests the concept and his urges, leading to an emotional impasse.
- The Unbearable Lightness of Being, Milan Kundera: Set in Prague in 1968, Kundera’s novel revolves around two intricately involved couples as it makes penetrating insights into the existential dilemmas we all face. The title’s “lightness of being” refers to the fact that, contrary to beliefs that the universe and its events will continue to happen repeatedly forever, everyone only gets one life, an existence that’s incredibly light and fleeting. That lightness becomes existentially “unbearable” when it conflicts with a person’s desires to rise above their inevitable triviality and have a genuine effect on the world.
- Waiting for Godot, Samuel Beckett: Beckett’s absurd play mixes humor and despair to create a moving portrait of the often repetitive nature of life. The story centers on two men waiting for a third, the unseen Godot, who don’t actually know Godot. They exist in a surreal, cyclical world where they always expect Godot to show tomorrow but can never quite remember what happened yesterday. The play focuses on the fleeting nature of existence, stating that humans “give birth astride a grave.”
- Journey to the End of the Night, Louis-Ferdinand Celine: Based in part on the author’s life, this nihilistic novel posits that existence can never be fully understood, and that the only things that genuinely illustrate the true nature of humanity are the inescapable torments of war and illness. A sharp, sarcastic satire of human institutions from the military to the medical profession.
- Blindness, Jose Saramago: Jose Saramago’s writings won him a Nobel Prize in 1998, and Blindness makes it easy to see why. Set in an unnamed city, the novel follows a small band of characters as an epidemic of blindness breaks out and brings society to a screeching, bloody halt. The only one who can see if the wife of an opthalmologist, and she takes it on herself to protect her husband and others when the blind are quarantined in an abandoned asylum. The novel explores what it means to be human by exploring how people respond to the world during times of extreme terror and hardship. Some of the patients remain peaceful, while others resort to graphic acts of violence. An unforgettable read.
- An American Dream, Norman Mailer: One of Mailer’s slightly less well-known outings, An American Dream attacks with ferocity the ideals of what it means to “have it all” in the United States. The novel’s protagonist is a venerated vet and former congressman who goes on to host a talk show, yet Mailer has him commit a murder and descend into a dark world of crime and lurid nightlife. A smart look at what it means to be a modern American, and how our existence is often defined by the least substantial things around.
- Rosencrantz & Guildenstern Are Dead, Tom Stoppard: Tom Stoppard’s acclaimed play takes two supporting players from Hamlet — Rosencrants and Guildenstern — and puts them at the center of the story, relegating Shakespeare’s action to the fringes when it’s seen at all. Breaking the boundaries of standard fiction, the two men repeatedly question the nature of their own existence and their meaning within the larger world, and they often mix up their own names in a symbol of their interchangeable natures and general feelings of inconsequentiality. A quick-witted work of existentialism, absurdity, and metafiction.
- As I Lay Dying, William Faulkner: Written in only six weeks, Faulkner’s 1930 novel is lauded as one of the best of the past century. The book is written as a stream-of-consciousness account that shifts between the viewpoints of fifteen different characters as it gradually explores the meaning of life, the nature of being, and the existential crises that seem to crop up in life every day. A challenging and landmark work.
- A Clean, Well-Lighted Place, Ernest Hemingway: Hailed by James Joyce as one of the best short stories of all time, Hemingway’s A Clean, Well-Lighted Place takes place at a cafe and centers on two waiters, one younger and one older, as well as an old and deaf man who’s a customer there. Using descriptions of light and darkness, Hemingway writes about three men at different existential moments in their lives, ranging from the confidence of youth to the alienation of old age. At its heart, the story is about taking advantage of what’s around and being aware of the inevitably of life’s ability to change over time.
- Dangling Man, Saul Bellow: Saul Bellow’s first novel, published in 1944, is structured as a series of diary entries by an unemployed young man who uses the space to ruminate on his romantic and personal relationships as well as his occasional frustrations. It’s one of Bellow’s lesser works but still a fantastic existential exploration of how some men looked for meaning in the shadow of war.
- Steppenwolf, Hermann Hesse: Presented as a manuscript composed by its main character, Steppenwolf centers on Harry Haller, a middle-aged man going through a crisis of identity and meaning who wanders the city and almost kills himself before meeting a woman who redefines his approach to having a meaningful life. The woman might not even be real, but a splintered fragment of Harry’s own soul. Often praised but misunderstood, the novel remains an enlightening read more than 80 years after it was published.
- Invisible Man, Ralph Ellison: The only one of Ralph Ellison’s novels published during his life, Invisible Man is a pivotal work of literature that explores the realities and nature of black life in the mid-20th century. Narrated by a nameless figure who is, for all purposes, invisible to society at large, the book is packed with symbolism and experimental styles that did as much to reflect Ellison’s own existential wonderings as they did those of its hero.
- The Woman in the Dunes, Kobo Abe: This surreal novel uses often dark and absurd situations to explore the meaning of happiness and purpose. The story involves a young man taken hostage by a coastal community and forced to live in a deep sandpit with a woman tasked with forever shoveling out sand and preventing the hole from collapsing. His shift from despair to dedication, as well as his burgeoning relationsjip with the woman, make for a gripping work of fiction that feels endlessly real.
- No Exit, Jean-Paul Sartre: It feels right to end back at Sartre. This 1944 play is built around three people sentenced to an afterlife together in a locked room with no windows. The one mand and two women turn out to be their own agents of torture, as their conversations reveal the weaknesses and sins that led them to disastrous ends. This is the work that posited that “Hell is other people,” as the characters’ true identities and natures are revealed to be worse than anything they could imagine. One of the most powerful works of existentialist fiction ever written.












